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The
Music Lovers is perhaps the most controversial of the films Richard has
made. And, like The Last Wave, it was ahead of its time. At its release
in 1971 it was considered a deeply shocking film for Dr. Kildare to make
and was generally savaged by the critics. I remember Richard and Glenda
making the talk show circuit in 1971 and the stunned reaction of the talk
show hosts to the film clips. Yet another of Richard’s films I never
got to see until the miracle of VHS came along.
The film concentrates equally on
Tchaikovsky’s tormented homosexuality and his hauntingly beautiful
music. Academy Award winner Glenda Jackson, who plays the tragic Nina,
was the reigning actress of her time. (Unfortunately, Glenda went on to
abandon acting for politics, leaving today’s cinema populated mostly
by vapid, anorexic and boring cookie cutter actresses.) There is nothing
boring about this film. If you are snobbish about classical music or prudish
about sex, do not watch. The movie is not intended as a serious biography
of Tchaikovsky. But then, neither was Amadeus intended to be a serious
biography of Mozart.
Ken
Russell summed up the plot of The Music Lovers as the story of a nymphomaniac
married to a homosexual. Fairly accurate summation of the plot! The film
provides plenty of opportunity for Russell’s legendary imagery,
which is even more effective set to Tchaikovsky’s music. My favorite
musical sequence is the nightmare/dream rendition of The 1812 Overture.
This movie probably would not have
worked with any actors but Richard and Glenda. Richard’s physical
beauty and sullen desperation play off perfectly against Glenda’s
artful homeliness and manic energy. The two descend into madness as the
façade of their marriage disintegrates. Tchaikovsky is redeemed
by his music and the asexual worship of his patroness while Nina is abandoned
to the horrors of an insane asylum.
Christopher
Gable (who later returns for a happier role as John in the Slipper and
the Rose) plays Count Anton Chiluvsky, Tchaikovsky’s lover and ultimate
betrayer. A superbly played scene occurs when he meets up with Tchaikovsky
and Nina on their honeymoon at a performance of Swan Lake and provides
a running, ironic commentary for the uncultured Nina (“She will
destroy him…”)
The Music Lovers is a marvelous and
sadly neglected film. Keep your fingers crossed that it comes out on DVD
someday.
By Geri Maisano
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